shamilton
Well we are about to begin the seventh week of Modern British Novel and Graham Greene's Brighton Rock is next on the agenda. I enjoyed Waugh's novel last week; it was full of humor and yet very dark, I thought. I love that the book made extensive reference to Dickens, since my focus in Bibs and Methods was on David Copperfield. I guess if one had to read Dickens for the rest of his or her days, that this wouldn't be so very bad. Living in the world of Dickens is colorful and interesting and insance all at the same time. Sort of like living in the 1930s with Waugh! lol.
I enjoyed Forster's A Passage to India. I am always fascinated by stories that center around class or gender oppression; Forster's tale goes so far as to address issues of empire with regards to the British "invasion" of India and the subsequent subjugation of an entire race of people. It is the story of the ruler and the ruled. Power is, of course, an all-consuming force that takes on a life of its own; historically speaking, anything or anyone that gets in the way of a powerful and wealthy group (such as the Brtish) ends up being oppressed or annihilated. One can't help being fascinated by the historical complexity of the phenomenon. I think I would have been a very good sociologist or historian...but I do love the world of literature. Until next time, have a lucky (and nonstressful) week.
We just finished Ford's The Good Soldier. For some reason, the book kept reminding me of a Fitgerald novel where the characters go through just so much angst and tragedy and have terrible things happen to them. You know--where the protagonist is still with us at the end of the story, but is living in a sort of hellish existence with everyone he cares about either dead or gone from their lives. A Modern tale, of course, where the characters have sort of given up on society and on ever making any sense out of anything--no faith, no hope, no future.
Well I am back to posting on my Blog for one more Literature class: British Novel 1900-1940. We just finished a James Joyce novel, which I had read back in a Humanities class about four years ago. I always enjoy reading Joyce; he is complex and frustrating to read at times, but so worth the effort. I love the ending to Portrait of the Artist as a Young Man, "Amen. So be it. Welcome, O life! I go to encounter for the millionth time the reality of experience and to forge in the smithy of my soul the uncreated conscience of my race. . . . Old father, old artificer, stand me now and ever in good stead." How can anyone not love these poignant and soulful lines?